Baccarat Building Nyc

Baccarat Building Nyc – Tishman masterminded this 45-story, 356, 490 SF luxury high-rise at 20 West 53rd Street. The building consists of 120 rooms on the first 12 floors, a five-star hotel, 60 luxury condominiums in the upper 32-story tower and 27,500 SF white box on the ground floor and two lower grade levels (new apartments). York Public Library’s Donnell Branch), the project received a LEED silver award.

Designed by SOM, the project is positioned as the ultimate in urban luxury. On the second floor, a 50-foot-long crystal bar is surrounded by an outdoor terrace, while other amenities include a spa with a 55-foot indoor pool, a gym, and an upscale street-level restaurant.

Baccarat Building Nyc

Baccarat’s north and south elevations feature a curtain wall and elegant black metal facades to the east and west, surfaces inspired by the neighboring MoMA designed by Edward Durel Stone.

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The location on 53rd Street—right across the street from MoMA, near the landmark St. Thomas Church, and immediately adjacent to four other commercial properties, as well as the MTA subway line that runs under West 53rd Street—presented the project with many logistical challenges. The limited urban space was intended to ensure that all pedestrians and adjacent buildings were well protected during the construction of the superstructure and exterior walls. We placed our vertical lift in the southwest corner of the building and our tower crane in the northeast: every square foot of the building’s footprint was used to meet the logistical needs for the proper and safe delivery of this project. Baccarat Tower by SOM is a 605-foot mixed-use building located at 53rd Street and Fifth Avenue in New York City, directly across from the Museum of Modern Art. The project consists of exclusive condominiums, a luxury hotel and a public library.

The hotel’s interior was designed by French design duo Gilles & Boissier to combine the classic elegance of a Parisian hotel with the contemporary aesthetic of its downtown New York location. Gilles & Boissier designed much of the hotel’s furniture, including commissioning some never-before-seen works from the Baccarat factories. Classic pieces were also curated from the brand’s archives and contemporary collections for public spaces and rooms. Additional features include: beautiful wooden parquet floors, woven carpets, handmade silk wall coverings and stainless steel ribbed ceilings, mica coated ceilings and mirror and marble wall treatments. 17 custom chandeliers hang throughout the property – many suspended from rough ropes – and a separate chandelier is made entirely of wood and hangs from the second-floor bar.

French curators Stephanie and Frederic Chambre have assembled the hotel’s art collection, which includes works from important movements spanning more than 250 years since Baccarat’s founding. Throughout the hotel there are also original paintings by famous French artists Francois Houtin and Armand Jonckers and unique furniture.

Each of the hotel’s 114 rooms and suites feels like a private pied-à-terre. Room categories start with the generous Classic King and end in the hotel’s pièce de résistance, the Baccarat Presidential Suite. All rooms have floor-to-ceiling windows, sitting areas and custom-made Mascioni jacquard bedding. Concealed from the sleeping area by hand-painted French doors, the white marble bathrooms feature glass baths with large shower heads and exclusive hotel amenities created by Parisian perfumer Francis Kurkjian. Equipped with state-of-the-art technology, the tablet computer controls all aspects of the room, including temperature, lighting and room service. A specially designed red enamel Baccarat mini bar offers delights from French gourmet house Fauchon. On the telephone handset, a button marked ‘Champagne’ allows guests to order a bottle of their favorite vintage to their room with signature Baccarat flute glasses. Guests in luxury suites enjoy complimentary La Mer skin care products and nightly salon services. Free use of a vintage Citroen car for transportation within 15 blocks of the hotel for all guests.

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Located at street level, Chevalier, a signature contemporary French restaurant, is named after Baccarat’s long-time and best-loved creative director, Georges Chevalier, who was responsible for bringing the crystal company into the modern era. Restaurant

New York City reinterprets Brasserie de Luxe, showcasing reinterpreted and updated French classics while referencing authentic Parisian brassware. will be

It is open for dinner, lunch and breakfast, as well as a European-style breakfast at the front bar. Guests can reserve La Cour restaurant’s private dining room for up to 25 people, with a seasonal chef’s tasting or à la carte menu paired with sommelier-selected wines.

Late Consummate host Charles Masson will serve as Chevalier’s Restaurant Manager at beloved French institution La Grenouille in Midtown Manhattan. Executive chef Shea Gallante, who earned a Michelin star for his work at Manhattan restaurant Cru, leads the kitchen. Gallante will oversee the menus for the Grand and Petit Lounges, the bar and seasonal outdoor terrace overlooking MoMA, en suite dining and the hotel’s private event space, the Harmony Room. On the hotel’s second floor, the Grand and Petit lounges offer light breakfasts, afternoon tea, small plates and evening cocktails. Inspired by the Knights of Versailles, the hotel bar offers handcrafted cocktails, aperitifs, fine wines and light snacks. Throughout the hotel, guests drink from a kaleidoscope of more than 15,000 pieces of mixed and matched Baccarat crystal.

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Baccarat Hotel and Residences showcases its elegance and luxury on the platform of the tower. Guests and residents alike have access to a variety of amenities: bars, event spaces, lounges, and a world-class spa and fitness center. 1 Tip: Height is measured regardless of material or function of the highest element (ie, including antennas, flagpoles, signs and other operational-technical equipment) from the lowest, substantial, exterior pedestrian entry level to the highest point of the building.

Architectural: Height measured from the lowest, substantial, outdoor pedestrian entry level to the architectural top of the building, including towers, but excluding antennas, signs, flagpoles or other functional-technical equipment. This measure is the most widely used and is used by the Council on Tall Buildings and Urban Habitat (CTBUH) to rank the “tallest buildings in the world”.

3 Occupied: Height is measured from the lowest, substantial, outdoor pedestrian entry level to the highest occupied floor of the building.

The number of storeys above ground shall include the ground floor level and shall be the number of principal storeys above ground including any significant mezzanine floors and floors of major mechanical facilities. Mechanized mezzanines should not be included if the floor area is significantly less than the main floors below. Similarly, mechanical penthouses or plant rooms projecting above the general roof surface should not be counted. Note: CTBUH floor counts may differ from published accounts, as it is common in some parts of the world not to include certain floor levels (eg Level 4, 14, 24, etc. in Hong Kong).

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The number of floors below ground includes all main floors below ground level.

CTBUH collects data on two main tall structures: “buildings” and “telecommunications/observation towers.” “Building” is a structure occupying at least 50% of the usable floor area in height. “Telecommunications/observation tower” means a structure that occupies less than 50% of the height of the structure in terms of usable floor area. Only “buildings” are eligible for CTBUH’s “tallest buildings” lists.

CTBUH follows the United Nations definition of country and uses lists and codes created by that organization.

The CTBUH follows the United Nations definition of a city and uses lists and codes created by that organization.

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A single-use multi-storey building is a building in which 85% or more of its usable floor area is devoted to a single use. Thus, a building with 90% office space is said to be an “office” building regardless of other secondary functions it may contain.

A high-rise mixed-use building contains two or more functions (or uses), where each function occupies a significant percentage of the total floor area of ​​the tower. Support areas such as car parks and mechanical plant area do not have mixed use functions. CTBUH “Higher Building” lists functions in descending order, eg, “Hotel/Office” indicates hotel function above office function.

Both the main vertical/lateral structural elements and the floor covering systems are made of steel. Note that a steel building with a concrete slab floor system or concrete slabs on steel beams is still considered an “all steel” structure because the concrete elements do not serve as the primary structure.

Both the main vertical/lateral structural elements and the floor covering system are made of cast concrete using steel and/or reinforced concrete reinforcing bars, cast as individual sections and assembled together.

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Both the main vertical/lateral structural elements and the floor systems are made of wood. The use of local non-timber connections between timber elements may include all timber structures. Note that a wood-frame building with a floor system of concrete planks or concrete slabs on wood joists is still considered an “all wood” construction because the concrete elements are not functional.

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