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Chandi (Sanskrit: चणदी, Caṇḍī) or Chandika (Caṇḍika) is a Hindu deity. Chandika is another form of Mahadevi similar to Durga.
Chandika is a powerful form of Mahadevi who appears to destroy evil. She is also known as Kaushiki, Katyayani, Asthadasabuja Mahalakshmi and Mahishasuramardini.
Kandi or Kandika is the name by which the Supreme Divine is mentioned in the Devi Mahatmya. Chandi arrests Chanda’s killer. Chanda and Munda were the generals of Ashur’s strong army.
Bhaskararaya, a leading authority on matters relating to Devi worship, defines Chandi as “angry, fearful or passionate”.
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The name Chandi or Chandika is used twenty-nine times in the Devi Mahatmya, which is agreed by many scholars to have originated in Bgal, the main seat of the ancient Shakta or Goddess tradition and tantric sadhana. This is the most common epithet used for the Goddess. In Devi Mahatmya Chandi, Chandika, Ambika and Durga are used synonymously.
It is also known as Navarna Mantra or Navavarna Mantra. Apart from Sri Vidhya mantras, this is one of the main mantras in Shakti worship. It is customary to chant this mantra while chanting Devi Mahatmya. She is supposed to live in a place called Mahakal, which is near Kailasa
The city of Chandigarh (literally: “fort of Chandi”), the capital of the Indian states of Punjab and Haryana, is named after the goddess.
Chandika is an avatar of Durga. The three main forms of worship of Durga are Mahagauri, Chandika and Aparajita. Of these, Chandika has two forms called Chandi and Chamunda, who were created by Goddess Kaushiki to kill the demons Chanda and Munda.
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She is known as the supreme goddess Mahishasuramardini or Durga who kills the demon Mahishasura. She was associated with and is also believed to be Katyaini, Kaushiki or Ambika who killed Shumbha, Nishumbha and their fellow demons. [1] “The great goddess was born from the energies of the male gods when the destruction became powerless in the long drawn out battle with the Asuras. All the energies of the gods came together and became a supernova, throwing flames into this unique light, entering the Three Worlds with its brightness, on merge into one and become a female form.”
“Devi designs amazing omnipotence. The three-eyed goddess was adorned with a crescent moon. She had weapons and emblems, jewels and ornaments, clothes and tools, garlands and rosaries of beads, all presented by the gods. With her golden body shining with the brilliance of a thousand suns, seated on her lion car, Chandi is one of the most wonderful personifications of cosmic energy.”
In other scriptures, Chandi is shown as “helping” Kali in her battle with the demon Raktabiya. Chandi wounded him, but a new demon emerged from every drop of blood that fell to the ground. By drinking Raktabīja’s blood before reaching the earth, Kali led Chandi to first destroy the demons and finally killed Raktabīja himself.
In the Skanda Purana, this story is retold and another story of Mahakali killing the demons Chanda and Munda is added.
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Authors Chitralekha Singh and Prem Nath say, “The Narada Purana describes the powerful forms of Lakshmi as Durga, Kali, Bhadrakali, Chandi, Maheshwari, Lakshmi, Vaishnavi and Andreye.
Chandi Homa is one of the most popular Homas in the Hindu religion. It is performed all over India during various festivals, especially during Navaratri. Chandi Homa is performed by reciting verses from Durga Sapthasati and offering oblations in the sacrificial fire. It can also be accompanied by Navakshari mantra. Kumari Puja, Suvasini Puja are also part of the ritual.
In the dhyana sloka before the central episode of the Devi Mahatmya, iconographic details are given. The goddess is described as having a red complexion, eighty hands carrying a string of beads, a battle axe, a mace, an arrow, a thunderbolt, a lotus, a bow, a pot, a spear, a spear, a sword, her shield, a conch shell , bell, wine cup, tridt, nose and disc (sudarsana). She has a coral shape and is seated on a lotus.
In some temples, the images of Maha Kali, Maha Lakshmi and Maha Saraswati are kept separately. The goddess is also shown as four armed in many temples.
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Chandi is one of the most popular folk deities in Bgali and several Bgali poems and literary works called Chandi Mangala Kavyas were written from the 13th century to the early 19th century.
They have the effect of merging local people and tribal goddesses with mainstream Hinduism. Mangal kavyas often associate Chandi with the goddess Kali or Kalika
And recognize her as the wife of Shiva and the mother of Ganesha and Kartikeya, who are aspects of goddesses like Parvati and Durga.
The concept of Chandi as the supreme goddess was also changed. The worship of the goddess acquired a multifaceted character.
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Chandi is associated with luck. Her auspicious forms like Mangal Chandi, Sankat Mangal Chandi, Rana Chandi bring happiness, wealth, children, good hunting and victory in battles, while other forms like Olai Chandi cure diseases like cholera, plague and cattle diseases .
These are almost all village and tribal goddesses, with the name of the village or tribe added to the name Chandi. The most important of these goddesses is the Mongolian Chandi, who is worshiped in the state of Tire and also in Assam. Here the word “Mongol” means superior or great. Meet our South Indian Forest artists! Click here to visit our village workshops and see how our Hindu Gods are created in wood.
Wall panels from India are the perfect way to bring the feel of India into your living space! They capture the essence of India in the rich wood tones and classical Hindu iconography seen in the sculpture.
I always tell our customers; The sculpture chooses you, you don’t choose the sculpture. You know when you find the right piece to bring into your home and heart. – Kyle Tortora, founder of Lotus Sculpture
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Caring for wooden statues is easy as they only require annual maintenance to keep them looking as they did when they were first carved. All the wood used by Lotus Sculpure artists takes months to dry. Moisture causes cracks in the sculptureas the wood reproduces and expands at different temperatures. There is not much humidity in our forest, which ensures that the sculpture does not crack during its journey in different climates. Here are some simple tips to keep your image in good condition:
We prefer Old English to polish and polish our images. Using a wood varnish like Old English will keep the wood looking fresh and the colors looking vibrant. For natural wood and painted wood images, we recommend Old English for lighter woods. For